The Triumph Beyond Sandra Oh’s Trophy

The Triumph Beyond Sandra Oh’s Trophy

By Guest Contributor: Jacqueline Wong

Sandra Oh
recently made
history three times at the 76th Golden Globes Awards
the first Asian American host, the first Asian American woman to win multiple
Golden Globes, and the first Asian American woman in nearly 40 years to win for
Best Actress in a TV Drama for her role in Killing

Yet it was
not just her hosting duties or her receipt of a Best Actress award that made
the night so special for Asian Americans. 
Rather, it was how Oh unabashedly celebrated her Asian-ness on live
TV.  Asian Americans have rarely been
given the opportunity to have their faces or voices broadcasted live on such a
large platform.  By owning her Asian
identity on stage, Oh took back control of the Asian American narrative.

What does
that mean?  For so long, Asian American
portrayals or stories have been constructed by others.  These depictions have reduced us to
stereotypical caricatures: the socially inept foreigner, the overly-sexualized
temptress, or the emasculated nerd, rather than real three-dimensional people.

That is if
we are even seen at all.  Asian Americans
are still largely
in media entertainment, which negatively effects our
population’s psyche.  This phenomenon is
called  “symbolic
,” or the idea that a group’s absence from the media
signifies their social insignificance. 
The general audience not only begins to believe these messages, but
Asian Americans begin to internalize them as well.  

But at the
Golden Globes, Oh recognized the impact she had standing in front of such a
large crowd of Hollywood stars, and the wider American audience:

“I said yes to the fear of being on this stage tonight because I wanted to be here to look out into this audience and witness this moment of change.  And I’m not fooling myself.  Next year could be different. It probably will be.  But right now, this moment is real.  Trust me, it is real.  Because I see you. And I see you…all these faces of change.  And now so will everyone else.”

With this message, Oh framed herself as the Asian-American lens through which the audience watches the show.  She used the opportunity to celebrate what it means to be Asian, and in that way, she controlled the narrative for the night.  Here’s how:

She Called Out Hollywood’s Whitewashing of Asian Role

Hollywood has a longstanding history of white actors playing Asian roles.  These kinds of discriminatory casting practices range from “yellowfacing” where white actors exaggerate features and behavior to portray stereotypical depictions of Asian characters (Mickey Rooney as Mr. Yuinoshi in Breakfast at Tiffany’s) to “whitewashing”, where traditionally Asian characters are played by white people (most of the cast in 21.)

There have
been many excuses
that Hollywood executives have used to justify
this behavior, the main one being, “It’s not about race…the only color they see
is green: The reason Asian-American actors are not cast to front these films is
because not any of them have a box office track record.”

But as writer Keith Chow points out in his opinion piece for the New York Times, this only reinforces the problem: “If Asian-Americans — and other minority actors more broadly — are not even allowed to be in a movie, how can they build the necessary box office clout in the first place?” 

It also
reinforces our symbolic annihilation.  Yet,
public outcry from many Asian American viewers and prominent figures in the
, we still don’t have a strong public voice or presence in
our country.  Part of the reason is due
to the widespread perception that Asian Americans are meek and submissive workers
who do not speak up. 

Oh actually addressed this problem during the opening monologue: “Crazy Rich Asians is nominated tonight
for Best Picture—Musical or Comedy.  It
is the first studio film with an Asian-American lead since ‘Ghost in the Shell’ and ‘Aloha.’” 

It was a joke, but it was also a poignant statement for her to make in a room full of so many Hollywood A-listers.  It even prompted Emma Stone to shout “I’m sorry” for portraying Allison Ng in Aloha, a character described as being of Chinese, Hawaiian, and Swedish descent.

from a host who was also honored as a historical nominee, Oh leveraged her
power and status to send Hollywood the message that the erasure of Asians is
not acceptable anymore. 

She Took Control of the Asian Jokes

Asians are
often easy targets of racist and offensive jokes due to portrayals that exaggerate
our supposed Otherness.  A recent example
of this is when Chris Rock brought three Asian kids out
on stage to be laughed at by audiences as a cheap joke
when he
hosted the 2016 Oscars.

This year,
with Crazy Rich Asians being
nominated for an award, the Golden Globes had more Asians in the room than ever
before.  Naturally, the setting could
have prompted a whole slew of Asian-related jokes. Oh took advantage of the situation
to even crack a few herself. 

However, the
jokes were not at the expense of Asians. 
Rather, she made light of shared experience that Asian Americans have:
mothers who are difficult to impress, and those of us who have to cover up
Asian flush.  These are not things to be
ashamed of, but rather, things to own and laugh at.  It’s an inside joke that recognizes the
realities of the Asian American experience. 

Oh also
good-naturedly shut down Andy Samberg after he pretended not to get it: “Don’t
worry.  This joke’s not for you.”  In doing so, she stood up for us, and showed
the audience that it is not okay for anyone else to make Asian-related jokes
out our expense.  It was a classy and
subversive move, filled with rollicking laughter. 

She stood up for us, and showed the audience that it is not okay for anyone else to make Asian-related jokes out our expense.  It was a classy and subversive move, filled with rollicking laughter. 

She Joyfully Received the Golden Globes and Thanked her Parents in Korean

this may also seem unremarkable and even expected, seeing Oh’s joy when she
received her Golden Globe carried a significant visual impact for viewers.  Often, Asians are seen as stoic, emotionless,
and unexpressive, and these discriminatory assumptions reinforce our Otherness.
 They can also negatively affect how we
are treated in society, such as how Asian
Americans are less likely promoted to leadership positions

In her
opinion piece for The New York Times,
Thessaly La Force believes this is due to “the underlying message we get from
the culture…that there is something else that separates us, some quality that’s
impossible to quantify — originality, spark, winsome impulsivity, intuition. We
are tireless workers, but all that diligence amounts to in the eyes of others
is a kind of empty ambition. We don’t seduce, we don’t inspire, we don’t go by
our gut. These are skills the American workplace fetishizes, and it has been
decided that we don’t possess them.”

But Sandra
Oh’s ecstatic reaction to winning her Golden Globe was an undeniable
demonstration of her spirit and vitality. 
In just a short
1:21 minute acceptance speech
, you can see Oh go through a whole range of
emotions: shock, disbelief, triumph, pride, nervousness, gratitude, and most
importantly, love. 

Oh ended
her acceptance speech by saying “I love you” to her parents in Korean and bowed
to them in respect.  Seeing her
unfiltered joy and love is such a validating thing for audiences to watch
because it shows people that Asian Americans do experience the same emotions as
everyone else would, and we can show it.

She also
publicized a private exchange that people rarely get to see.  Many Asian Americans speak their mother tongue
(in varying degrees of proficiency) only with their parents at home.  But Oh gives the audience a glimpse inside the
home of an immigrant family.  And she
showed the country, in a such heartfelt way, that they would just find a happy
daughter with loving parents; nothing weird, foreign, or threatening.  She showed people that she is  not so different from the rest of us after


It is
debatable whether or not award shows have an impact on our country’s
culture.  But Oh’s presence that night
was not just historical, it set a precedent and standard for future generations
of Hollywood for how Asian Americans should be represented.

As Viet
Thanh Ngyuen writes in his recent
opinion piece for The New York Times
, “so many of us who watched
these distorted images and heard the stupid jokes learned to be ashamed of
ourselves. We learned to be ashamed of our parents. And the shame compounded
the inability to say ‘I love you,’ a phrase that belonged to the wonderful
world of white people we saw in the movies and television.”

But Oh’s evident
joy and love shows us that we have nothing to be ashamed of.  Rather, being Asian is a cause for
celebration.  And with an
additional Best Actress Critics Choice award
and Best Actress SAG award under her belt,
Asian Americans have more things to celebrate about.   

Jacqueline Wong

Jacqueline Wong is a writer who focuses on Asian American representation in media and culture.  You can find more of her work here on Medium.

Learn more about Reappropriate’s guest writer program and submit your own writing here.

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